ASIAN ENGLISH LITERATURE'S MIDTERM EXAMINATION MATERNAL INSTINCT DEPICTED IN VERENATAY'S BROKEN
Lire Journal (Journal of Linguistics and Literature)
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Keywords

The role of women
short story
Verena Tay’s Broken
ghost

How to Cite

Indra Darmawan, R. (2018). ASIAN ENGLISH LITERATURE’S MIDTERM EXAMINATION MATERNAL INSTINCT DEPICTED IN VERENATAY’S BROKEN. Lire Journal (Journal of Linguistics and Literature), 2(1), 8-13. https://doi.org/10.33019/lire.v2i1.16
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Abstract

In this essay, I want to analyze how maternal instinct is depicted in one short story which has South East Asia as a setting of place because this maternal instinct has became one of the most debatable issues in feminist study until nowadays. The main data is a short story entitled Broken. This short story was included in anthology of Asian short stories entitled A Rainbow Feast. One thing which becomes uniqueness in Broken that picks my interest is how this novel exploits woman acts and habits in different way than any other novel. VerenaTay through this novel tells a story about one particular woman and how she treats her newborn baby. Different with other novel, Broken pictures the woman who lives in different world than us, a human. It is interesting to see how VrenaTay pictures that woman acts and somehow lives after she was dead, how a woman escapes from subversive condition and move toward dominant one by leap through the limit of life and death.

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References

Diamond, C. "Mae Naak and Company: The Shifting Duality in Female Representation on the Contemporary Thai Stage." Asian Theatre Journal 23.Spring (2006).

Dietz, M. G. (1985) "Citizenship with a Feminist Face: The Problem with Maternal Thinking." Political Theory.

Marshall, L. (2008). "Women Envision Peace." Off Our Backs 38.

Quayum, M. A. (2010). A Rainbow Feast: New Asian Short Stories. Singapore: Cavendish Editions.

Weston, R. (1987). "Woman as Ghost in Cynthia Asquith: Ghostly Fiction and Autobiography." Tulsa Studies in Women's Literature ^.Spring (1987).

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